Ekonomika a management 2013/3

Two models of performing arts funding: German versus Turkish

[plný text (PDF)]

Tatiana Langerová, Burcu Yasemin Seyben

N/A

JEL klasifikace: G30

Reference:
Aksoy, A. – Enlil, Z. (2010): Cultural Economy Compendium Istanbul 2010. Istanbul, Istanbul Bilgi University Press, 2010. ISBN 978-605-399-216-5

[2] Boukal, P. (2011): Vícezdrojové financování kulturních organizací. Ekonomika a management. 2011. sv. 5, č. 4, s. 47--56. ISSN 1802-8470.

[3] Dostál, P. – Kislingerová, E. (2012): Ekonomika kultury: efektivní metody a nástroje podnikání v sektoru kultury. Praha: Oeconomica, 2012. 172 s. ISBN 978-80-245-1886-2.

[4] Ergün, S (2010): Private Theatres in Turkey between 1923-1960, Tiyatro Araştırmaları Dergisi [The Journal of Theatre Studies] 30 (2), p. 59-78. ISSN: 1300-1523

[5] Esch, C. (2008): “An innovative and dynamic landscape: Public support and international theatre exchange in North Rhine-Westphalia (Germany)”. In State on Stage: the Impact of Public Policies on the Performing Arts in Europe. Smithuijsen, C - van Hamersveld, I. (ed.): Amsterdam, Boekmanstudies , 2008, p. 91-95.

[6] Kaiser, M. (2009): Strategické plánování v umění: praktický průvodce. 1. vyd. Praha: Institut umění - Divadelní ústav v Praze, 2009. 146 s. ISBN 978-80-7008-236-2.

[7] Smithuijsen, C. - Van Hamersveld, I. (2008): “Diminishing Dualism: The performing arts in Europe (1992-2007) between artistic excellence and cultural entrepreneurship ” In State on Stage: the Impact of Public Policies on the Performing Arts in Europe. Smithuijsen, C - van Hamersveld, I. (ed.): Amsterdam, Boekmanstudies , 2008, p. 17-20. ISBN 978-90-6650-091-4

[8] Stein, T. S., - Bathurst, J. (2008): Performing arts management: handbook of professional practices. New York: Allworth Press, ©2008. x, 541 s. ISBN 978-1-58115-650-8.



B/Internet Resources:

[9] http://application2.ibb.gov.tr/ibb/Bilgikartlaritemmuz2012.pdf

[10] http://cimettafund.org/

[11]http://culture360.org/publications/performing-arts-policy-and-funding-in-europe/#sthash.CRKHTnY9.dpuf

[12]http://ec.europa.eu/culture/our-policy-development/documents/report-structural-funds-germany.pdf

[13] http://host.divadlo.cz/koncepceumeni/

[14]http://mevzuat.basbakanlik.gov.tr/Metin.Aspx?MevzuatKod=7.5.11189&MevzuatIliski=0&sourceXmlSearch=

[15] http://www.berlin.de

[16] http://www.berlin.de/sen/kultur/foerderung/index.de.html#

[17] http://www.businesslocationcenter.de

[18] http://www.culturalfoundation.eu/

[19] http://www.culturalpolicies.net/web/germany.php?aid=812

[20] http://www.culturalpolicies.net

[21] http://www.culturalpolicies.net/web/status-of-artists-policies.php

[22] http://www.devtiyatro.gov.tr/hakkimizda-strateji.html

[23] http://www.encatc.org/pages/uploads/media/2006_cpra_publication.pdf

[24] http://www.goethe.de

[25] http://www.goethe.de/kue/the/tst/en10308845.htm

[26]http://www.guzelsanatlar.gov.tr/TR,3881/2010-2011-sanat-sezonu-desteklenen-tiyatrolar-ve-projel-.html

[27]http://www.guzelsanatlar.gov.tr/TR,3927/ozel-tiyatrolar-2011-2012-sanat-sezonu-yardimlari.html

[28]http://www.habervaktim.com/haber/106197/lsquoahlaksiz-oyunrsquodan-tahrik-dolu-mesajlar.html

[29] http://www.hauptstadtkulturfonds.berlin.de/

[30]http://www.hurriyetdailynews.com/artists-give-support-to-criticized-play.aspx?pageID=438&n=artists-give-support-to-criticized-play-2010-02-14

[31] http://www.jointadventures.net

[32] http://www.kulturprojekte-berlin.de

[33] http://www.kulturstiftung-des-bundes.de

[34]http://www.kulturstiftung-des-bundes.de/cms/en/foerderung/sparten/tanz_und_theather/

[35] http://www.zaman.com.tr/iskander-pala/gunluk-mustehcen-sirlar_1244776.html